Tube Tech
Posted on Tuesday, February 21, 2012 in audio
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36 Inner Tube – Virginia Tech $19.99 36″ Inner Tube – Virginia Tech |
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Tube-Tech Cl 1B Compressor $3490 Tube-Tech CL 1B Compressor |
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Peerless ADD0305 Steel Tube-in-tube Extension Column – Black $24.49 Peerless’ ADD extension columns are designed specifically to accommodate the load of multi display configurations. They come in adjustable or fixed lengths and are used in combination with Peerless’ multi display systems for CRT TVs or flat panels. |
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Tech 21 Sansamp Gt2 Tube Amp Emulator $189 Tech 21 SansAmp GT2 Tube Amp Emulator |
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Tube-Tech Lca 2B 2-Channel Compressor And Limiter $4176.9 Tube-Tech LCA 2B 2-Channel Compressor and Limiter |
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Tube-Tech Mp 1A Microphone Preamplifier $3153.15 Tube-Tech MP 1A Microphone Preamplifier |
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Tube-Tech $4.99 We believe it is important to preserve what makes music special, and make it easy to craft listening experiences. At MOG, browse millions songs and play them instantly. Or just turn on radio where you can stop and replay songs. You can also create playlists for any occasion, and even download songs to your mobile. We are dedicated to employing the cleanest but most powerful technology so you can enjoy music as much as ever. |
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InFocus Systems SP-EXTARM-01 6-9 inches Ceiling Mount Extension Arm for SP-CEIL-011 $24.97 The extension arm extends the projector mount 6 to 9 inches below the ceiling fixture. The tube in tube design is adjustable prior to installation at 1 inch increments. A nut and bolt secures the column at the desired length. Both ends of the column assembly consist of schedule 40 tubing, 1 1 2 11.5 NPT threaded, and notched for safety locking. |
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InFocus SP-EXTARM-02 12 to 18 inches Universal Ceiling Mount Extension Arm for SP-CEIL-011 – Black $74.49 Extends the projector mount 12 18 inches 30 46 cm below the ceiling fixture. The tube in tube design is adjustable prior to installation at 1 inch 25.4 mm increments. A nut and bolt secures the column at the desired length. Both ends of the column assembly consist of schedule 40 tubing, 1.5 11.5 NPT threaded, and notched for safety locking. |
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Ledco TBSBK Stiffener Kit for Tubes Taller Than 8 inches $16.97 Features For tubes taller than 8 inches, the TBSBK utilizes extendable arms that attach to the tube and bolt to any solid surface, such as the dashboard or a tunnel plate, to offer additional stability. Offers increased system support to reduce vibration. Ideal for installation in vehicles that frequently traverse harsh roads or in applications that require a tube greater than 8 inches tall. |
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First Mobile – FM-TOP-09 – Mounting Kit for Notebook $12.97 Top plates provide horizontal movement to allow the user to move the laptop between the driver and passenger. The FM TOP 09 is a 9″ top plate with swing arm. Set collar keeps the tube adjusted to the correct height while rotational adjustments are made. |
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Havis HDM Series C-HDM-135 Vehicle Mounting Component – Steel $56.97 Universal adapter base for mounting motion devices to a flat surface. Ideal for trucks, forklifts or any other situation where a larger range of clearance is required between the dock and the mounting surface, but a tube is too tall. Heavy gauge steel for rugged durability with black powder coat for anti glare and rust prevention |
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JVC GZ-MS100R 680 Kpix Camcorder – 35x Optical/800x Digital Zoom – SD Memory – 2.7-inch LCD Display – Red $128.97 Compact Everio S memory camera makes sharing simple. This elegant, slim, lightweight camera boasts a Konica Minolta Lens, 35x optical zoom, Laser Touch operation and sharing videos over the internet is now easier than ever with the new one button uploading to You Tube, the leading video sharing site. It looks strikingly similar to the popular stylish Everio G series hybrid cameras, but is smaller due to recording directly to a SD card. Everio S also has all the convenience Everio is famous for. |
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CoolMaximum CM-300 Micro ATX Internal Power Supply – 300 Watts – Silver $13.49 Serial ATA Ready 80mm silent fan design, long life, noiseless and fastest cooling time All kinds of protection circuits OVP OPP SCP Fully supports all Intel AMD system demands 20 24 pin 4 8 pin adaptors available for both 20pin and 24pin Tube tide design to tidy wires Anti corrosive nickel plated chassis. |
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Havis HDM Series C-HDM-209 8.5-inch Heavy Duty Telescoping Pole – Steel – Black $57.49 Features Heavy duty telescoping pole with precision machined solid billet aluminum clamp collar, 8 inch tube, Mounting pedestal with adjustable height from 8.5 14.5 inches, Internal PVC guide ring to provide additional support and smooth pole height adjustment as well as to retain the inner pole for security purposes and gas shock use. |
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Plantronics 65653-01 H81 CIS for Cisco IP phones $32.49 With four sizes of user selectable earbuds and an adjustable receiver arm, the TriStar headset can be custom fitted to just about anyone. Weighing under one half ounce, this headset is a pleasure to wear and features a unique three point fit. Quick Disconnect lets you walk away from your phone while wearing your headset. The voice tube microphone improves clarity of speech. |
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Coolmax V-400 400 Watts ATX V2.01 Power Supply for Intel, AMD – 100000 hours 14616 $11.49 CoolMax V 400 power supply features an 80mm fan, designed for long life and noiseless, fast cooling. It features over voltage protection, short circuit protection on all output levels, and it’s serial ATA 150 ready. The power supply’s universal connector fits most motherboards. It supports all Intel and AMD demands. The high quality, fan guard and connectors are excellent conductors for efficient cooling and power transfer. The tube tied design keeps cables tidy. |
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Klipsch RW-12D 12-inch 350 Watts Subwoofer – Each – Black Ash woodgrain vinyl $314.49 The RW 12d shakes things up by employing a 12 inch front firing Cerametallic woofer and a 340 Watts RMS amplifier. Exclusive Corner Port Technology allows the subwoofer’s port tube to be as long as possible without bending, minimizing turbulence that can cause port noise and distortion. It also allows the enclosure to be tuned to a lower frequency than would otherwise be possible to create deeper bass from a smaller cabinet. Another important element is a corner shaped flange at the port’s internal opening, which amplifies the benefits of a longer port. For quick and easy adjustment of all functions, the RW 12d features the DCS digital user interface that includes three equalization modes flat, depth and punch and three user adjustable presets music, movie and night to create specific listening preferences. |
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Hal Leonard Tube Amp Talk For The Guitarist And Tech Book $37.95 Hal Leonard Tube Amp Talk for the Guitarist and Tech Book |
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Tube-Tech Smc 2B Stereo Multi-Band Compressor $4463.55 Tube-Tech SMC 2B Stereo Multi-Band Compressor |
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Tube-Tech Mmc 1A Mic Preamp And Multi-Band Compressor $4590 Tube-Tech MMC 1A Mic Preamp and Multi-Band Compressor |
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Tech 21 Sansamp Rbi Rackmount Bass Tube Amp Emulator $329 Tech 21 Sansamp RBI Rackmount Bass Tube Amp Emulator |
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Tube-Tech Pe-1C Program Equalizer $2475 The Tube-Tech PE 1C Program Equalizer is the design that started it all for John Petersen and Tube-Tech. It’s an all tube version of the legendary Pultec EQP 1A, an equalizer that was, and still is, known for its uncanny ability to make things sound better by just running signal through it. Has Tube-Tech captured that magic? Just do a Google search for Tube-Tech PE 1C. Page after page of world class and mid- to upper-level recording studios come up. That alone tells the whole story. Tube-Tech PE 1C Program Equalizer, First Take:Passive Pultec-style EQTube-based gain-makeup ampliferBalanced I/O and Floating TransformersPassive EQThe PE 1C contains a passive filter and a tube-based amplifier to restore the loss from the filter. The filter has a low frequency boost/attenuate section with 4 selective frequencies, a high frequency boost section with a variable bandwidth and 10 selective frequencies and a high-frequency attenuation section with 3 selective frequencies. The filter is placed directly after the input transformer therefore eliminating noise from the amplifier when boosting either low or high frequencies. The amplifier consists of two tubes (valves) in push-pull configuration (one ECC 83 as the pre-amp and phase splitter, and one ECC 82 as the output stage), and an output transformer. Both input and output are balanced and fully floating. The in/out key switches the filter in and out without clicks and changes in level, while the amplifier remain in the signal path.Balanced I/O and Floating TransformersInput and output are balanced as well as fully floating. This provides maximum electronic isolation for superior noise rejection. The power supply for the pre-amp and phase splitter are stabilized and the heaters of both tubes (valves) are fed with a stabilized DC voltage. This prevents any variation in the DC energy when combined with the musical signal, which would otherwise cause certain types of distortion. Put simply, the PE 1C’s DC-stabilized circuits keep the EQ bands free of any unwanted artifacts. EQ is smooth and distortion-free. About Tube-TechFor over twenty years, Tube Tech has been one of the most prominent names in all-tube signal processing equipment. You’ll find their gear in the best recording and mastering studios around the world. The company’s founder, John Petersen is an electrical engineer who was factory trained at Solid State Logic, EMT, Studer, Sony, Neumann, and NTP Electonik (digital audio routers). He also designed tape recorder playback/recording amps for Lyrec tape recorders (found in the studios of the legendary Joe Meek and Vangelis). His first design under the name of Tube-Tech was an all-tube equalizer based on the legendary Pultec EQP 1A. Petersen continued to design and manufacture a number of innovative all-tube outboard processors including preamps, multiband compressors and summing amps. Thanks to John’s dedication to high-quality analog sound you’ll see Tube-Tech gear in the racks of pro audio legends |
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Virginia Tech Hokies Inner Tube $21.96 Virginia Tech Hokies Inner Tube This licensed team logo swim ring is a hot, new item that is sure to keep you cool in the pool, lake, or at the beach. Made of tough .25mm polyvinyl, our 36� swim ring is sure to last. The swim ring features the uniform stripe and official team logo that is silk screened on both sides. This item is great for rest or play. What better way to hang out by the pool, in the lake, or at the beach while showing your team spirit. |
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Tube-Tech CL 1B Compressor $3490 The all-tube amplified Tube-Tech CL 1B Compressor has become to go-to compressor for top studios, producers and engineers. Known for the marvelous sonic characteristics it imparts without making its presence obvious, the CL 1B particularly shines on vocals. The CL 1B also offers the ability to link up to ten units together and a unique attack/release feature, not found on other compressors, that enables two CL 1Bs to provide program-dependent, overall mix compression.Tube-Tech CL 1B Compressor, First Take:All-tube-amplified optocompressorNon-degrading gain reduction elementUnique Fix/Man control allows automatic program-dependent operation Link bus allows up to ten CL 1Bs to be linked togetherBalanced I/O and floating transformersAll-Tube AmpifierThe amplifier consists of two tubes (valves) in push-pull configuration (one ECC 83 as the pre-amp and phase splitter, and one ECC 82 as the output stage), and an output transformer. The power supply for the preamp and phase splitter are stabilized and the heaters of both tubes (valves) are fed with a stabilized DC voltage. The whole amplifier (including input and output transformer) and the power supplies are placed on one PC-board. Both input and output are balanced (600 Ohms) and fully floating. The in/out key switches the compressor in and out without clicks.The side chain is the only part of the compressor that contains semiconductors. They are used for three reasons: First, they do not affect the sound reproduction. Second, they have a high slew rate, which is of importance for the performance of the compressor in regard to how fast it responds to input signals, and third, they don’t take up much room. It contains two J-FET quad op-amps, one npn-transistor and one FET-transistor, which handles the signal for the gain-reduction element. Non-Degrading Gain Reduction ElementThe CL 1B differs from many other compressors, in that the gain reduction element is made from a non-semiconductor element, which in itself has a very low harmonic distortion and none of the non-linearity problems involved when using most semiconductor elements. Furthermore there is no long-term degradation of the element thus giving it almost infinite life. This signal processor is placed after the input-transformer of the compressor and followed by an all tube-based amplifier with a gain of 0dB to +30 dB. Thus the signal is not fed through any semiconductor circuitry on its way to the output. Unique Fixed/Manual Attack and Release ControlTo control attack and release, the CL 1B contains two time constants circuits: fixed attack and release times and variable attack and release times. The three position attack/release select switch makes it possible to use these two circuits separately, or combine their functions. This setting (Fix/Man) provides a unique feature not available in other compressors. In the combined mode, the attack- and release controls make it possible to obtain a complex release-time slope that is program depend |
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Tube-Tech & The Advent $4.99 We believe it is important to preserve what makes music special, and make it easy to craft listening experiences. At MOG, browse millions songs and play them instantly. Or just turn on radio where you can stop and replay songs. You can also create playlists for any occasion, and even download songs to your mobile. We are dedicated to employing the cleanest but most powerful technology so you can enjoy music as much as ever. |
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Tech 21 SansAmp GT2 Tube Amp Emulator $189 The Tech 21 SansAmp GT2 Tube Amp Emulator costs less than the original Sans Amp, and it’s easier to set up. So they compromised on sound quality, right? Not as far as we can tell! GT2 purrs and screams with the same kind of fat, warm, glowing-glass sounds heard in the original, but cost-effective manufacturing brought the price down. You select amp type, modification, and mic placement. Find the tone you want using high and low EQ, set your level, dial up distortion with the drive knob, then hit the “on” switch. The Tech 21 SansAmp GT2 is a truckload of tube amps in just one pedal! |
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Tube-Tech Mec 1A Recording Channel $4590 The rackmount Tube-Tech MEC 1A recording channel combines the MP 1A microphone and DI preamplifier, EQ 1A equalizer, and CL 1B optical compressor. It doesn’t get any better than that baby! The MEC 1A is designed and hand crafted to deliver the warmth of vintage quality recordings with unrivaled accuracy, purity, and realism. You couldn’t ask for a better front end for your DAW!Tube-Tech MEC 1A Recording Channel, First Take:All-tube channel strip comprising MP 1A preamp, EQ 1A equalizer, and CL 1B compressorMicrophone preamp: The microphone preamplifier consists of a microphone input transformer (with a static screen) with a step-up of +10 dB, two dual tube preamplifiers with two stepped gain switches, one with 10dB/step (coarse) and one 1dB/step (fine) giving a total gain range of +20dB to +70dB. The microphone input is provided with a switchable -20dB attenuation (PAD), switchable +48 V phantom-power and phase reverse. A highpass filter for the microphone and the DI input is switchable between off, 20 Hz and 40 Hz. For more information, check out the Tube-Tech MP 1A (# 182001)The microphone input is capable of accepting levels of up to +6 dBU (1.55V) at 40 Hz without the PAD. With the PAD switched into the circuit, the MEC 1A can be used as a unity gain line amplifier accepting levels up to +26 dBU (15.5V) at 40 Hz. The high impedance DI input is unbalanced and placed in the circuit directly after the input transformer. The gain range for this input is +10dB to +60dB. When in use, the microphone input is disabled. Equalizer: You’ll love the sound of this EQ. It performs exactly as you would want a high-end EQ to. With minimal tweaking, you can add all of the punch, polish, and air you like to make your recordings stand out. The equalizer features low and high shelving filter with a gain range of +/- 15dB, each with 6 switchable frequencies and a band filter with a gain range of +/- 20dB, 12 switchable frequencies and a bandwidth control. The shelving and the bell filters are designed around a dual tube operational amplifier. The equalizer has a separate in/out switch. For more information, check out the Tube-Tech EQ 1A (# 182019)Compressor: The compressor is the same type optocompressor found the the Tube-Tech CL 1B, the vocal compressor of choice for so many top producers and engineers. It has controls for ratio, threshold, attack and release. A switch selects between manual attack and release and fixed attack and release. With the link switch it is possible to link several units together on two independent bi- directional buses. The compressor has a separate in /out switch. In normal operation the equalizer is in front of the compressor, but a switch enables the compressor to be in front of the equalizer.For more information, check out the Tube-Tech CL 1B (# 182025)About Tube-TechFor over twenty years, Tube Tech has been one of the most prominent names in all-tube signal processing equipment. You’ll find their gear in the best recording and |
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Tube-Tech Me 1B Midrange Equalizer $2475 Looking for midrange punch as only tubes can deliver? Look no farther than the Tube-Tech ME 1B Midrange Equalizer. Based on the example of the legendary Pultec MEQ-5 from the days of yore, Tube-Tech has dedicated a modern EQ to this all-too-important region of the audio spectrum, and does it with all-tube style and warmth. It provides the kind of performance you expect from a high-end EQ, and does it effortlessly. With Tube-Tech EQ, you get dramatic results without having to tweak endlessly. To get the most out of the ME 1B, use it to focus on midrange while another EQ, such as the EQ 1A handles the lows and highs. And while it would be tempting to use it to make individual instruments larger than life, adding punch and sheen to an overall mix is where this EQ shines. Tube-Tech ME 1A Midrange Equalizer, First Take:Midrange program equalizer with passive filters and tube-based gain-makeup amplifierThree sections of selectable EQBalanced and fully floating I/OPassive EQ with Tube AmplifierThe rackmount Tube-Tech ME 1B Midrange Equalizer contains a low frequency boost section for peaking, a mid frequency attenuation for dipping, and a high frequency boost section for peaking. The ME 1B contains a passive filter and a tube-based amplifier to restore the loss from the filter. The filter has a low frequency peak section with 5 selectable frequencies, a mid frequency dip section with 11 selectable frequencies, and a high frequency peak section with 5 selectable frequencies. The filter is placed directly after the input transformer, therefore eliminating noise from the amplifier when boosting either low- or high frequencies. The amplifier consists of two tubes in push-pull configuration (one ECC 83 as the pre-amp, and one ECC 82 as the output stage), and an output transformer. Both input and output are balanced (600_) and fully floating for maximum electronic isolation. The in/out key switches the equalization in and out without clicks and changes in level, while the amplifier remains in the signal path.Three Frequency SectionsUsing a bell curve EQ to isolate center frequencies, the ME 1B divides the midrange into three sections, low, mid, and high. The low frequency section comprises a continuously variable peak control (0dB to +10dB) and choice of five selectable frequencies (200Hz, 300Hz, 500Hz, 700Hz, 1kHz). The Mid Frequency section comprises a Dip control that is continuously variable from 0dB to -10dB and eleven selectable center frequencies from 200Hz to 7kHz. The High Frequency section covers five selectable frequencies from 1.5kHz to 5kHz and a Peak control that is continuously variable from 0dB to +8dB. Balanced and Fully Floating I/OBoth input and output are balanced (600 ohm) and fully floating, which provides maximum electronic isolation since there is no common ground between input and output. Input and output transformers come with a static screen between the primary and secondary wirings. These screens shield the secondary from the prima |
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Tube-Tech Cl 2A Dual Compressor $4230 If one channel of Tube-Tech compression isn’t enough for you, here’s the Tube-Tech CL 2A Dual Compressor, which features two independent optical compressors–it’s like having two CL 1Bs, giving you the added advantage of stereo compression for keyboards, drum overheads, bass (mic + DI), stereo bus, and multi-mic recording. Of course, just like the CL 1B, it absolutely shines on vocals. Once you have Tube-Tech compression in your signal path, you’ll wonder how you ever recorded without it. Tube-Tech CL 2A Dual Compressor, First Take: All-tube amplified optocompressor with non-degrading gain reduction element Two link busses allow up to ten CL 2As can be linked together Balanced I/O and floating transformers All-Tube Amplified Optocompressor The rack mount Tube-Tech CL 2A compressor is a dual optocompressor with the optical gain reduction element placed after the input transformer and then followed by an all tube-based output amplifier with a +10 dB gain. Therefore, the signal is not fed through any semiconductor circuitry on its way to the output, which contributes to the signal clarity of the CL 2B. Additionally, The optical gain unit does not experience any degradation over the long term, providing nearly infinite life. The amplifier is based on two tubes (dual triodes) in push-pull configuration (one ECC 83 as a differential amplifier, and one ECC 82 as the output stage), and an output transformer. The power supply for the differential amplifiers is stabilized and the heaters of all four tubes are fed with a stabilized DC voltage. Stereo and Multi Link Mode A switch with three positions (Link 1, Off, Link 2) is used whenever you want to use the two separate compressors in stereo mode or link several compressors together. The two link busses are identical. Sidechain sockets for interconnection of several compressors are located on the rear panel. A switch on the front selects which compressors are interconnected, and on which bus they are connected. If you e.g. have 10 compressors in a rack, you can select compressor 1,5,7 and 8 on link 1, and compressor 2,3,6 and 9 on link 2, leaving compressor 4 and 6 in the off position. Compressors 1,5,7,8 would now be interconnected and all four will perform the same compression. This applies to compressor 2,3,6 and 9 as well. Compressor 4 and 6 are independent. The interconnection implies that the unit that performs the most compression is controlling the others. Additionally, you can choose which one you want to control the others. Balanced I/O and Floating Transformers Microphone Input/Output are balanced and have fully floating transformers with a static screen. Floating a transformer (not referencing it to ground) provides maximum electronic isolation for superior noise rejection. The static screens shield the transformer’s secondary windings from the primary and prevent RF (radio frequency) electromagnetic noise from getting across. The power supply and the sidechain circuits are based on |
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Tube-Tech LCA 2B 2-Channel Compressor and Limiter $4176.9 The two-channel Tube-Tech LCA-2B offers all-tube compression with the added flexibility an independent compressor and limiter per channel. It’s perfect for drum overheads, stereo room mics, stereo guitar, bus compression, and just about any other stereo source you have in mind. You also have the option of inputting two mono sources, compressing on one while limiting on the other. Tube-Tech LCA 2B Compressor/Limiter, First Take:All tube, 2-channel with independent compressor and limiter per channel6 attack/release presets and manual controlMulti-unit link modeIndependent Compressor/LimiterThe rackmount Tube-Tech LCA 2B is a two-channel unit with an independent compressor and limiter per channel. The unit is all-tube based (except for the power supply and sidechain circuit). Output gain control is placed between the VCA and output stage. The VCA (1 dual triode) is placed between the input transformer and the output stage (2 dual triodes). The audio signal is picked up after the VCA and fed to the sidechain circuit.Six Presets and Manual Control The stereo compressor has six attack/release presets as well as manual control. The limiter attack/release is fixed and equipped with an on/off switch. The LED display is fed from the control amp. The limiter LED is fed from the limiter buffer. The audio path is fully symmetrical from input to output. Input and output have fully floating transformers. All DC voltages are stabilized, except the anode voltage for the output stage, which is only filtered.Link ModeThe control signal from the compressor and limiter is combined and sent to the link switch and to the control amp, which feeds the VCA. The bi-directional link busses are accessible at two 1/4″ stereo jack sockets on the rear panel. The channels can be linked together for stereo applications and also linked to other LCA 2B’s via the two link busses and a standard stereo jack/jack cord. A switch (Link 1, Link 2) on the front panel selects which compressors are interconnected, and on which bus they are connected. If you select Link 1 on both channels, they will perform the same gain reduction. With several LCA 2B compressors in a rack, you can select which ones will work together. For example, by selecting LCA 2B #1, Ch. 1 on link 1; LCA 2B #2, Ch. 2 on link 1, and LCA 2B #3, Ch. 1 on link 1, they are now interconnected and will all act with the same compression. By interconnecting them in this fashion the unit that performs the most compression controls the others. It is also possible to have all the interconnected compressors control each other simultaneously.About Tube-TechFor over twenty years, Tube Tech has been one of the most prominent names in all-tube signal processing equipment. You’ll find their gear in the best recording and mastering studios around the world. The company’s founder, John Petersen is an electrical engineer who was factory trained at Solid State Logic, EMT, Studer, Sony, Neumann, and NTP Electonik (digital audio routers). He a |
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Elmer’s Stix-All Hi-Tech Adhesive Tube $2.99 0% 0.63 oz 1 Each High technology adhesive for indoor or outdoor use bonds almost all porous and nonporous materials. Provides a flexible bond that resists water, holds up in extreme heat and cold, and won’t, like super glues, break over time due to vibration. Adhesive adheres to plastic, glass, metal, wood, china, brick and more. Can be used to fill gaps or as a sealant. E650A Elmer’s Elmer’s Products, Inc Glass Metal No Plastic Stix-All Stix-All Hi-Tech Adhesive Tube Super Glue Water Resistant Wood www.elmers.com |
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Tube-Tech Ssa-2B Stereo Summing Amplifier $4275 Yes, you can mix inside the box and get good results, but with the Tube-Tech SSA 2B Stereo Summing Amplifier, you can mix inside a much better box and get stunning results. Where extremely high-quality summing of several signals into two channels is desired (and where isn’t it?), the SSA 2B is a top choice. Tube-Tech SSA 2B Stereo Summing Amplifier, First Take:Ultra high-quality summing amplifier with very wide frequency response8 stereo/4mono inputs summed to 2 channels out Inputs balanced by zero field transformerBalanced and fully floating outputsUltra High-Quality Summing AmplifierThe rackmountable Tube-Tech SSA 2B Stereo summing amplifier features two very low-noise, low-distortion summing amplifiers with a very wide frequency response of 5Hz – 100 kHz. The inputs are transformer balanced and the circuits are symmetrical from input to output. The inputs are also capable of handling extremely high input levels. 8 Stereo/4 Mono Inputs Summed to 2 OutputsThe Tube-Tech SSA 2B summing amplifier has 4 mono input (hard wired to CH1 and CH2) and 8 stereo inputs, which are summed to two outputs. The SSA 2A consists of a summing amplifier at the input, a 23 stepped attenuator with a range of +/- 10 dB and an output stage. Two large VU-meters show the levels on the XLR output sockets. To avoid the distortion introduced by the VU-meters when connected directly to the output XLR sockets, symmetrical configured OP- amps buffer the VU-meters. The summing amplifier is a symmetrical two-stage amplifier, designed around two dual, low impedance, and high transconductance triodes. The input transformer is part of the dual feedback configured as a so-called zero field transformer. The attenuator is a heavy gilded 2 x 23-position switch with steps of +/- 0.5, 1, 1.5, 2, 2.5, 3, 4, 5, 6, 8, 10dB. The output stage is designed around two dual triodes in push-pull and an output transformer (with a static screen). Both the summing amplifiers and the output amplifiers are symmetrical. Zero Field Transformer-Balanced InputsAll inputs on the Tube-Tech summing amplifier are balanced by two zero field transformers (one for each channel). In zero field transformer configurations, the transformer is part of the feedback circuit. There are several benefits to be derived from this: 1. The voltage across the transformer is reduced substantially, whereby a much smaller transformer is needed for the same specification. The reduction is of the same magnitude as the feedback applied. 2. The distortion at low frequencies is reduced substantially. 3. Frequency response in both the low and high range is extended. 4. Phase response in both the low and high range is more linear. The results are better harmonic balance of the instruments and more realistic sound.Balanced and Fully Floating OutputsThe outputs are balanced and have fully floating transformers with a static screen. Floating a transformer (not referenced to ground) provides maximum electronic isolation for superior noise |
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Tube-Tech MP 1A Microphone Preamplifier $3153.15 The Tube-Tech MP 1A dual channel preamp and instrument DI has been one of the secrets that engineers and producers have kept to themselves for bringing the rounder and more pleasing sound of analog gear to digital recording. And where some preamps tend to work well with certain mics but not others, the MP 1A also has the uncanny ability to make any mic your put through it sound great. A truly phenomenal-sounding preamp, the MP 1A excels on electric guitars and vocals. To give you an idea of its versatility, the MP 1A has been part of Julio Iglesias’ vocal chain for years and is the preamp that Frank Fillipetti used to record Johnathan Davis’ vocals on Korn’s Take a Look in the Mirror.Tube-Tech MP 1A, First Take:Dual channel all-tube mic preamp and instrument DIDesigned for ultra low-noise operationSwitchable 20dB pad, can be used as a unity gain line amplifier, +70dB mic input gainDI input with switchable high-pass filter and +60 gainDual Channel All-Tube Mic Preamp And Instrument DIThe rackmount Tube-Tech MP 1A microphone preamplifier is a combined two channel microphone and DI preamplifier. Each amplifier consists of a microphone input transformer with a step-up of +10 dB, a dual tube preamplifier with a stepped gain (5dB/step, passive and active), an output amplifier with two dual tubes in push-pull and an output transformer. The high impedance DI inputs are unbalanced and placed in the circuit directly after the input transformer, with a gain ranging from +10dB to +60dB.Designed For Ultra Low-Noise OperationThe amplifiers are all tube based and the heaters are fed stabilized DC-voltage only. This prevents any variation in the DC energy when combined with the musical signal, which would otherwise cause certain types of distortion or hum. All transformers, with the exception of the mains transformer, are enclosed in MU-metal cans. MU-metal (pronounced mew-metal) is a highly permeable alloy that absorbs and redirects interfering magnetic fields away from the transformers. Input and output transformers come with a static screen between the primary and secondary wirings. These screens shield the secondary from the primary and prevent RF (radio frequency) electromagnetic noise from getting across.Switchable Pad, +70dB Gain |
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Used Tube-Tech Mp 1A Microphone Preamplifier $3153.15 The Tube-Tech MP 1A dual channel preamp and instrument DI has been one of the secrets that engineers and producers have kept to themselves for bringing the rounder and more pleasing sound of analog gear to digital recording. And where some preamps tend to work well with certain mics but not others, the MP 1A also has the uncanny ability to make any mic your put through it sound great. A truly phenomenal-sounding preamp, the MP 1A excels on electric guitars and vocals. To give you an idea of its versatility, the MP 1A has been part of Julio Iglesias’ vocal chain for years and is the preamp that Frank Fillipetti used to record Johnathan Davis’ vocals on Korn’s Take a Look in the Mirror.Tube-Tech MP 1A, First Take:Dual channel all-tube mic preamp and instrument DIDesigned for ultra low-noise operationSwitchable 20dB pad, can be used as a unity gain line amplifier, +70dB mic input gainDI input with switchable high-pass filter and +60 gainDual Channel All-Tube Mic Preamp And Instrument DIThe rackmount Tube-Tech MP 1A microphone preamplifier is a combined two channel microphone and DI preamplifier. Each amplifier consists of a microphone input transformer with a step-up of +10 dB, a dual tube preamplifier with a stepped gain (5dB/step, passive and active), an output amplifier with two dual tubes in push-pull and an output transformer. The high impedance DI inputs are unbalanced and placed in the circuit directly after the input transformer, with a gain ranging from +10dB to +60dB.Designed For Ultra Low-Noise OperationThe amplifiers are all tube based and the heaters are fed stabilized DC-voltage only. This prevents any variation in the DC energy when combined with the musical signal, which would otherwise cause certain types of distortion or hum. All transformers, with the exception of the mains transformer, are enclosed in MU-metal cans. MU-metal (pronounced mew-metal) is a highly permeable alloy that absorbs and redirects interfering magnetic fields away from the transformers. Input and output transformers come with a static screen between the primary and secondary wirings. These screens shield the secondary from the primary and prevent RF (radio frequency) electromagnetic noise from getting across.Switchable Pad, +70dB Gain |
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Tube-Tech Eq 1A Full Range Equalizer $4905 The Tube-tech EQ 1A is an all-tube based, mono equalizer, which provides a sweet, musical EQ that offers creative sound-shaping with minimal tweaking. It provides the exactly results you’d expect from a world-class EQ, and does it effortlessly. A mastering version of the EQ 1A, the EQ 1M is available with stepped rotary switches for accuracy and parameter recall. Tube-Tech EQ 1A Full Range Equalizer, First Take:One-channel, all-tube based parametric equalizerHigh- and low-cut filters25kHz cut for anti-aliasing filtersHigh- and low-cut shelving EQ sections and three overlapping bandsAll-Tube Based Parametric EQThe EQ 1A has seven EQ sections that can be switched in and out, including high- and low-cut, high and low shelving, and three overlapping bands ranging from 40Hz to 20kHz. Except for the power supply, the EQ unit is all-tube based. Both the input and output stages have fully floating transformers for superior electronic isolation, which results in noise-free, ground-loop immune operation. All voltages (with the exception of the anode voltage at the output stage) are DC stabilized, since any variation in the DC energy when combined with the musical signal would cause distortion. Put simply, the EQ 1A’s DC-stabilized circuits keep the EQ bands free of any unwanted artifacts. EQ is smooth and distortion-free. High- and Low-Cut Filters The cut filters are designed with unity gain amplifiers. This is significant since they don’t load down the source or draw any current. Therefore, they drive the load as if it were a perfect voltage source. They also eliminate distortion due to overload, crosstalk, and other electromagnetic interference. The low- and high-cut sections include a frequency switch with a choice of six frequencies, a slope switch and an in/out switch. Both the low- and hi-cut filters offer a choice of six frequencies.25kHz High-Cut for Anti-Aliasing FiltersOf particular interest is the 25kHz high cut setting. Its purpose is to roll off the digital artifacts that can be heard when recording to digital systems when using their onboard converters. As you may know, design engineers use the anti-aliasing filters in digital converters to dump “garbage” (digital artifacts) above the audible spectrum (above 20kHz). In use, the 25kHz cut appears to have very little effect on the high-frequency content, however, its effect is very audible when it comes to removing the effects of those artifacts. High and Low Shelving EQThe shelving and bell filters (for the three overlapping bands) are designed around two tube operational amplifiers. Tubes can be operated in the overload region without adding objectionable distortion they way op amps and solid state amplifiers do. Due to this extra headroom, although subjective, tubes sound louder and have a better signal-to-noise ratio than transistor amplifiers. This is why the EQ 1A sounds so musical and smooth, even when you boost frequencies in the extreme. The EQ 1A also offers six frequencies of shelv |
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Virginia Tech Inflatable Inner Tube $24.99 A hot new item made from tough Polyvinyl, our 36 inch Swim Ring features the team’s uniform stripe around the outer edge and the silk-screened logos are repeated on the front and back. |
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TC Electronic Computer Recording Tube-Tech CL 1B TDM $799 TC Electronic Computer Recording Tube-Tech CL 1B TDM The Tube-Tech CL1B is based upon the legendary analogue sound of the Tube-Tech CL 1B compressor/limiter. Features: up to 30 dBs of gain continuously variable ratio ranging from 2:1 to 10:1 advanced metering innovative attack/release controls, with three different settings, enabling the CL 1B to be used as an insert- or bus compressor Sidechain/Link button in the stereo instance that emulates the dynamic master/slave relationship between the left and right channels up to two instances in mono/stereo at 44.1 / 48 kHz or one instance in mono/stereo at 88.2 / 96 kHz per DSP chip on Pro Tools-HD Accel hardware. On Pro Tools-HD Core hardware one instance is supported per DSP at 44.1 / 48 kHz. Pro Tools HD, HD Accel and VENUE systems compatible Get Your TC Electronic Computer Recording Tube-Tech CL 1B TDM Today! |
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Used Tech 21 Sansamp Gt2 Tube Amp Emulator $164.43 The Tech 21 SansAmp GT2 Tube Amp Emulator costs less than the original Sans Amp, and it’s easier to set up. So they compromised on sound quality, right? Not as far as we can tell! GT2 purrs and screams with the same kind of fat, warm, glowing-glass sounds heard in the original, but cost-effective manufacturing brought the price down. You select amp type, modification, and mic placement. Find the tone you want using high and low EQ, set your level, dial up distortion with the drive knob, then hit the “on” switch. The Tech 21 SansAmp GT2 is a truckload of tube amps in just one pedal! |
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Hal Leonard Tube Amp Talk for the Guitarist and Tech Book $37.95 Tube Amp Talk for the Guitarist and Tech is a follow-up to Gerald Weber’s popular A Desktop Reference of Hip Vintage Guitar Amps. He’s compiled his articles and “Ask Gerald” columns that have appeared in Vintage Guitar from 1993 to 1996. As a special bonus, Ken Fischer’s “Trainwreck Pages” from Vintage Guitar are also included. This reference book assumes that the reader has at least a working knowledge of tube guitar amplifiers, and it will be helpful and interesting whether or not guitarists intend to perform their own servicing. |
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Retractable Tech VanishPoint Blood Collection Tube Holder, 250/cs $312.54 Features of the Retractable Tech VanishPoint Blood Collection Tube Holder: Protect users from both ends of a contaminated blood collection needle with this single-use tube holder. It features a safety mechanism that automatically retracts the needle from the patient’s vein back into the holder once blood collection is completed, allowing users to keep both hands behind the contaminated needle and virtually eliminating the risk of needle stick injury. Compatible with most standard multiple-sample blood collection needles, holder is clear blue in color, allowing easy visualization of tube and blood return. |
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Tube-Tech SMC 2B Stereo Multi-Band Compressor $4463.55 The rackmount Tube-Tech SMC 2B Stereo Multiband Compressor is an all tube-based compressor that adds the warmth of vintage quality masters to your mix. If you’ve heard records by Beck, Offspring, Rufus Wainright, and All American Rejects, you’ll find a Tube-Tech SMC 2B Multi-band compressor in the hands of Joe Chiccarelli strapped across the stereo bus. Tube-Tech SCM 2B Stereo Multi-band Compressor, First Take: Multi-bandband compression and variable crossover points let you craft your overall mix Three independent stereo optocompressors Flat frequency response across all three bands Balanced I/O and floating transformers Variable Crossover the Tube-Tech SCM 2B’s variable crossover points ensure precise control with all three bands of optocompression. Independent band specific Threshold, Ratio, Attack, Release & Gain parameters make the SMC 2B as flexible as it is accurate. For example, a stereo compressor can squash and muddy the midrange of rock records. With the SMC 2B, you can add just the slightest compression to the midrange where the guitars live to keep them vibrant and lively. The adjustable crossover points allows you to set the low-frequency range so that the bass on dance tracks won’t get over-compressed. Three Stereo Optocompressors The Tube-Tech SMC 2B Stereo Multiband Compressor features three independent optical stereo compressors. The signal is divided into three bands (Low, Mid & High) by 6 dB/octave x-over networks with variable frequencies: 60-1200 Hz for Low/Mid band and 1,2-6 kHz for the Mid/High band. Flat Frequency Response The design of the crossover networks optimizes the summing of all three bands, resulting in a flat frequency response (within +/-0.25 dB), when the gain controls for each band are set at the same level. The three compressors feature Threshold, Ratio, Attack, Release and Gain and a display showing gain reduction. Master levels are set with Output Gain and Balance controls. Balanced I/O and Floating Transformers Both Input and Output are balanced and have fully floating transformers with a static screen, which provides the greatest amount of electronic isolation for elimination of ground loops, resulting in super-quiet operation. The power supply and the sidechain circuit are based on a solid state circuit. With the exception of the output stage all DC voltages are stabilized. About Tube-Tech For over twenty years, Tube Tech has been one of the most prominent names in all-tube signal processing equipment. You’ll find their gear in the best recording and mastering studios around the world. The company’s founder, John Petersen is an electrical engineer who was factory trained at Solid State Logic, EMT, Studer, Sony, Neumann, and NTP Electonik (digital audio routers). He also designed tape recorder playback/recording amps for Lyrec tape recorders (found in the studios of the legendary Joe Meek and Vangelis). His first design under the name of Tube-Tech was an all-tube equalizer based on the |
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Used Tube-Tech Smc 2B Stereo Multi-Band Compressor $4463.55 The rackmount Tube-Tech SMC 2B Stereo Multiband Compressor is an all tube-based compressor that adds the warmth of vintage quality masters to your mix. If you’ve heard records by Beck, Offspring, Rufus Wainright, and All American Rejects, you’ll find a Tube-Tech SMC 2B Multi-band compressor in the hands of Joe Chiccarelli strapped across the stereo bus. Tube-Tech SCM 2B Stereo Multi-band Compressor, First Take: Multi-bandband compression and variable crossover points let you craft your overall mix Three independent stereo optocompressors Flat frequency response across all three bands Balanced I/O and floating transformers Variable Crossover the Tube-Tech SCM 2B’s variable crossover points ensure precise control with all three bands of optocompression. Independent band specific Threshold, Ratio, Attack, Release & Gain parameters make the SMC 2B as flexible as it is accurate. For example, a stereo compressor can squash and muddy the midrange of rock records. With the SMC 2B, you can add just the slightest compression to the midrange where the guitars live to keep them vibrant and lively. The adjustable crossover points allows you to set the low-frequency range so that the bass on dance tracks won’t get over-compressed. Three Stereo Optocompressors The Tube-Tech SMC 2B Stereo Multiband Compressor features three independent optical stereo compressors. The signal is divided into three bands (Low, Mid & High) by 6 dB/octave x-over networks with variable frequencies: 60-1200 Hz for Low/Mid band and 1,2-6 kHz for the Mid/High band. Flat Frequency Response The design of the crossover networks optimizes the summing of all three bands, resulting in a flat frequency response (within +/-0.25 dB), when the gain controls for each band are set at the same level. The three compressors feature Threshold, Ratio, Attack, Release and Gain and a display showing gain reduction. Master levels are set with Output Gain and Balance controls. Balanced I/O and Floating Transformers Both Input and Output are balanced and have fully floating transformers with a static screen, which provides the greatest amount of electronic isolation for elimination of ground loops, resulting in super-quiet operation. The power supply and the sidechain circuit are based on a solid state circuit. With the exception of the output stage all DC voltages are stabilized. About Tube-Tech For over twenty years, Tube Tech has been one of the most prominent names in all-tube signal processing equipment. You’ll find their gear in the best recording and mastering studios around the world. The company’s founder, John Petersen is an electrical engineer who was factory trained at Solid State Logic, EMT, Studer, Sony, Neumann, and NTP Electonik (digital audio routers). He also designed tape recorder playback/recording amps for Lyrec tape recorders (found in the studios of the legendary Joe Meek and Vangelis). His first design under the name of Tube-Tech was an all-tube equalizer based on the |
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Tube-Tech Smc 2Bm Mastering Multi-Band Compressor $6480 The Tube-Tech SMC 2BM is the only all-tube based stereo mastering compressor that features multiband compression. Designed specifically for mastering, it offers Tube-Tech’s renowned sound quality and precision, plus greater flexibility for the mastering engineer. Based on Tube-Tech’s SMC 2B, the SMC 2BM adds matched resistor level controls for precise replication of previously used settings. The 12 step-matched resistor gain controls on the SMC 2BM guarantee channel to channel and recall accuracy within 0.1 dB. Side-chain controls employ 31-detent potentiometers. The unit includes variable crossover points for precise control of all three bands of opto-compression. Independent band-specific threshold, ratio, attack, release and gain parameters make the unit flexible, as well as accurate. Tube-Tech SMC 2BM Stereo Multiband Compressor, First Take:Three independent optical stereo compressors3-bands with adjustable crossover pointsBalanced I/O and Floating TransformersThree Independent Optical Stereo CompressorsThe rackmount Tube-Tech SMC 2BM Stereo Multiband Compressor features three independent optical stereo compressors. The three compressors feature Threshold, Ratio, Attack, Release, and Gain controls, and a display showing gain reduction. Master levels are set with Output Gain and Balance controls. Three bands with Adjustable Crossover PointsThe signal is divided into three bands (Low, Mid & High) by 6dB/octave crossover networks with 12 selectable frequencies: 60 – 1200Hz for Low/Mid band and 6 selectable frequencies: 1.2 – 6.0 Hz for the Mid/High band. The design of the crossover networks optimizes the summing of all three bands, resulting in a flat frequency response (within +/-0.25 dB), when the gain controls for each band are set at the same level. The two crossover frequencies are made with a single RC circuit thereby preserving optimum summation of the three bands at the output. Balanced I/O and Floating TransformersBoth Input and Output are balanced and have fully floating transformers with a static screen. This provides maximum electronic isolation for superior noise rejection. The power supply and the sidechain circuit are based on a solid state circuit. With the exception of the output stage all DC voltages are stabilized.About Tube-TechFor over twenty years, Tube Tech has been one of the most prominent names in all-tube signal processing equipment. You’ll find their gear in the best recording and mastering studios around the world. The company’s founder, John Petersen is an electrical engineer who was factory trained at Solid State Logic, EMT, Studer, Sony, Neumann, and NTP Electonik (digital audio routers). He also designed tape recorder playback/recording amps for Lyrec tape recorders (found in the studios of the legendary Joe Meek and Vangelis). His first design under the name of Tube-Tech was an all-tube equalizer based on the legendary Pultec EQP 1A. Petersen continued to design and manufacture a number of innovative all-tub |
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TC Electronic Computer Recording Tube-Tech CL 1B $599 TC Electronic Computer Recording Tube-Tech CL 1B Emulation is being redefined with the Tube-Tech CL 1B plug-in for PowerCore. The CL 1B plug-in is based upon highly advanced component emulation technology, and brings the legendary analog sound of the CL 1B compressor/limiter to the PowerCore platform. The CL 1B uses a carefully crafted algorithm, so efficient it allows the use of up to 2 instances in stereo at 44.1 kHz or 1 instance in stereo at 96 kHz per DSP chip on 2nd generation PowerCore hardware (Compact, FireWire, Express, PCI mkII & Unplugged). The CL 1B plug-in is compatible with all types of PowerCore hardware. Features: 30 dB gain Variable step less ratio ranging from 2:1 to 10:1. Advanced metering. Flexible attack/release controls enabling the CL 1Bto be used as an insert- or bus compressor. Sidechain/Link reproduces the dynamic master/slaverelationship between the left and right channels, found on the hardwareversion of CL 1B. Windows XP and Mac OS X (Intel & PPC) supported. VST, AU and RTAS supported. 24 bit / 96 kHz supported. Get Your TC Electronic Computer Recording Tube-Tech CL 1B Today! |
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Tech Force 3-9x32AO Rifle Scope, Duplex Reticle, 1" Tube $55.14 3-9x magnification 32mm objective (adjustable objective) 1" tube Duplex reticle 7.5 yds to infinity parallax adjustment 3� eye relief 12.25� long Includes lens covers Hunting turrets Matte black .90 lbs Increase the accuracy of your favorite air gun! This Tech Force rifle scope has a 32 mm adjustable objective and hunting turrets that let you lock in your targets with ease. Tech Force air rifle scopes are rated for use on spring-piston air rifles. Pick one up today! |
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Used Tube-Tech Lca 2B 2-Channel Compressor And Limiter $4176.9 The two-channel Tube-Tech LCA-2B offers all-tube compression with the added flexibility an independent compressor and limiter per channel. It’s perfect for drum overheads, stereo room mics, stereo guitar, bus compression, and just about any other stereo source you have in mind. You also have the option of inputting two mono sources, compressing on one while limiting on the other. Tube-Tech LCA 2B Compressor/Limiter, First Take: All tube, 2-channel with independent compressor and limiter per channel 6 attack/release presets and manual control Multi-unit link mode Independent Compressor/Limiter The rackmount Tube-Tech LCA 2B is a two-channel unit with an independent compressor and limiter per channel. The unit is all-tube based (except for the power supply and sidechain circuit). Output gain control is placed between the VCA and output stage. The VCA (1 dual triode) is placed between the input transformer and the output stage (2 dual triodes). The audio signal is picked up after the VCA and fed to the sidechain circuit. Six Presets and Manual Control The stereo compressor has six attack/release presets as well as manual control. The limiter attack/release is fixed and equipped with an on/off switch. The LED display is fed from the control amp. The limiter LED is fed from the limiter buffer. The audio path is fully symmetrical from input to output. Input and output have fully floating transformers. All DC voltages are stabilized, except the anode voltage for the output stage, which is only filtered. Link Mode The control signal from the compressor and limiter is combined and sent to the link switch and to the control amp, which feeds the VCA. The bi-directional link busses are accessible at two 1/4″ stereo jack sockets on the rear panel. The channels can be linked together for stereo applications and also linked to other LCA 2B’s via the two link busses and a standard stereo jack/jack cord. A switch (Link 1, Link 2) on the front panel selects which compressors are interconnected, and on which bus they are connected. If you select Link 1 on both channels, they will perform the same gain reduction. With several LCA 2B compressors in a rack, you can select which ones will work together. For example, by selecting LCA 2B #1, Ch. 1 on link 1; LCA 2B #2, Ch. 2 on link 1, and LCA 2B #3, Ch. 1 on link 1, they are now interconnected and will all act with the same compression. By interconnecting them in this fashion the unit that performs the most compression controls the others. It is also possible to have all the interconnected compressors control each other simultaneously. About Tube-Tech For over twenty years, Tube Tech has been one of the most prominent names in all-tube signal processing equipment. You’ll find their gear in the best recording and mastering studios around the world. The company’s founder, John Petersen is an electrical engineer who was factory trained at Solid State Logic, EMT, Studer, Sony, Neumann, and NTP Electonik (digit |
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Tube-Tech Eq 1Am Full Range Mastering Equalizer $6075 The Tube-Tech EQ 1AM is the mastering version of the version of the Tube-Tech EQ 1A. Whether you’re adding overall sheen and polish to a final mic, smoothing out harsh vocals and instruments, or just going for some power and punch, the EQ 1AM provides the exactly results you’d expect from a world-class EQ, and does it effortlessly. Built for mastering, the EQ 1M features stepped rotary switches for accuracy and parameter recall. Tube-Tech EQ 1AM Full Range Equalizer, First Take:One-channel, all-tube based parametric equalizerHigh- and low-cut filters25kHz cut for anti-aliasing filtersHigh- and low-cut shelving EQ sections and three overlapping bands with stepped rotary controls for gain and bandwidthAll-Tube Based Parametric EQThe EQ 1AM has seven EQ sections that can be switched in and out, including high- and low-cut, high and low shelving, and three overlapping bands ranging from 40Hz to 20kHz. Except for the power supply, the EQ unit is all-tube based. Both the input and output stages have fully floating transformers for superior electronic isolation, which results in noise-free, ground-loop immune operation. All voltages (with the exception of the anode voltage at the output stage) are DC stabilized, since any variation in the DC energy when combined with the musical signal would cause distortion. Put simply, the EQ 1AM’s DC-stabilized circuits keep the EQ bands free of any unwanted artifacts. EQ is smooth and distortion-free. High- and Low-Cut Filters The cut filters are designed with unity gain amplifiers. This is significant since they don’t load down the source or draw any current. Therefore, they drive the load as if it were a perfect voltage source. They also eliminate distortion due to overload, crosstalk, and other electromagnetic interference. The low- and high-cut sections include a frequency switch with a choice of six frequencies, a slope switch and an in/out switch. Both the low- and hi-cut filters offer a choice of six frequencies.25kHz High-Cut for Anti-Aliasing FiltersOf particular interest is the 25kHz high cut setting. Its purpose is to roll off the digital artifacts that can be heard when recording to digital systems when using their onboard converters. As you may know, design engineers use the anti-aliasing filters in digital converters to dump “garbage” (digital artifacts) above the audible spectrum (above 20kHz). In use, the 25kHz cut appears to have very little effect on the high-frequency content, however, its effect is very audible when it comes to removing the effects of those artifacts. High and Low Shelving EQThe shelving and bell filters (for the three overlapping bands) are designed around two tube operational amplifiers. Tubes can be operated in the overload region without adding objectionable distortion they way op amps and solid state amplifiers do. Due to this extra headroom, although subjective, tubes sound louder and have a better signal-to-noise ratio than transistor amplifiers. This is why the EQ 1A so |
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Tube-Tech MMC 1A Mic Preamp and Multi-Band Compressor $4590 The Tube-Tech MMC 1A, fast becoming a favorite of certain world-class producers, is a very unique unit in a sea of me-too channels strips. Along with a phenomenal-sounding tube preamp, it features an optocompressor with three bands, low, mid, and high, and adjustable crossover points so yo can compress each band individually. This allows you to tailor compression for problem solving or to create a vocal track that’s truly larger than life. Thanks to its variable crossovers, you can use it to add body to thin vocals, allow the top end to open up during soft passages, reduce harsh midrange without losing lows and highs, tame highs without losing clarity for a more intimate sound, and all the while, save EQ for other purposes.Tube-Tech MMC 1A Preamp and Mulitband CompressorChannel strip with all-tube preamp and three-band compressorVariable impedance preamp with +70dB gain3-band compressor with variable crossover pointsBalanced and fully floating I/OChannel Strip With All-Tube Preamp And Three-Band CompressorThe Tube-Tech MMC 1A is a complete front-end. It includes an additional Direct Instrument input as well as a separate line input. The microphone input has switchable loading impedance, phantom power, phase reversal and a 20 dB Pad. All inputs are equipped with a low-cut filter. The 3-band optical compressor is designed to maintain optimum summing of all three bands with a remarkably flat frequency response. A bypass switch takes the entire compressor out of the signal path.Mic PreamplifierThe microphone preamplifier consists of a microphone input transformer (with a static screen) with a step-up of +10 dB, two dual tube preamplifiers with a stepped gain switch, with 10dB/step (+20 dB – +60 dB) giving a total gain range of +20dB to +70dB. The microphone input is provided with a switchable -20dB attenuation (PAD), switchable +48V phantom-power, a phase reverse and has swithable input impedance (600, 1200, 2400 Ohm). The high impedance DI input is unbalanced and placed in the circuit directly after the input transformer. The gain range for this input is +10dB to +60dB. When in use, the microphone input is disabled. A high pass filter for the microphone, DI and line input is switchable between off, 20 Hz (12dB/octave) and 40 Hz (6dB/octave). All inputs have a common stepped gain switch with 2dB/step (-10dB – +10dB).CompressorThe signal is fed to the two crossover networks, each made with a single RC circuit thereby preserving optimum summation of the three bands at the output.The crossover frequency between the low band and the mid band is variable from 60Hz to 300Hz or 240Hz to1200Hz and the crossover frequency between mid band and the high band is variable from 1,2kHz to 6kHz. The signals from the three bands are then fed to the three separate side chain circuits, each common for left and right channel. After processing, the three signals are fed to a gain control, separate for each band and thereafter summed and send to the output gain, controlli |
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Tech 21 Sansamp RBI Rackmount Bass Tube Amp Emulator $329 The Tech 21 Sansamp RBI Rackmount Bass Tube Amp Emulator puts all of the preamp tone-shaping and fattening control of the popular SansAmp Bass Driver DI in a single rackspace and adds a host of new features: a dedicated mid control; individual level control for the XLR out to optimize your amp’s output relative to the PA; effects loop; Mix 50/50 switch; 2 XLR outputs, one with level selection and a buffered unaffected XLR for running a dry signal to another channel. It also has 2 footswitch inputs: on/off and an output for chaining and toggling between 2 SansAmps.Puts all of its predecessor’s preamp tone-shaping and fattening control in a single rackspaceDedicated mid controlIndividual level control for the XLR out to optimize your amp’s output relative to the PAAn effects loopMix 50/50 switch2 XLR outputs, one with level selection and a buffered unaffected XLR for running a dry signal to another channel2 footswitch inputs: on/off and an output for chaining and toggling between 2 SansAmps |
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Elmer’s Products Inc Hi-Tech Adhesive, Indoor/Outdoor, 5/8 oz. Tube(Pack of 1) $8.08 Elmer’s Products Inc Hi-Tech Adhesive, Indoor/Outdoor, 5/8 oz. TubeHigh technology adhesive for indoor or outdoor use bonds almost all porous and nonporous materials. Provides a flexible bond that resists water, holds up in extreme heat and cold, an |
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ID Tech EasyMag IDEA-333112B 3331 Intelligent Swipe Reader – External – Keyboard Wedge – Black $42.49 The ID Tech EasyMag is an intelligent magnetic stripe reader with a fully integrated USB interface No adapter . Designed for busy retail environments where speed and dependability are equally important, its standard length slot more than 5 inches makes it easy for anyone to swipe a card and get a good read on the very first try. It can also be programmed to rearrange, edit, and validate fields of entered data just like any other ID Tech reader. |
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Tech Force 3-9x40AO Rifle Scope, Mil-Dot Reticle, 1" Tube $67.14 3-9x magnification 40mm objective (adjustable objective) 1" tube Mil-dot reticle 50 ft to infinity parallax adjustment 3� eye relief 13� long Includes lens covers Hunting turrets Matte black 1.2 lbs This hunting scope by Tech Force is great for increasing the accuracy of your favorite air gun. A 40 mm adjustable objective lets you zero in and eliminate pesky garden critters. Your adjustments are solidly locked in with the hunting turrets. Tech Force air rifle scopes are rated for use on spring-piston air rifles. Pick one up today! |
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SportsStuff Heatseeker 1 Person Snow Tube $34.99 SPORTSSTUFF HEATSEEKER SNOW TUBEHeatseekerThe innovative SwiftexT directional bottom on Sportsstuff’s Heatseeker will guide you and your tube straight down a path to good times this winter. This hi-tech uniquely shaped tube features a heavy-duty PVC construction & comfortable mesh seating to keep yo |
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Hitachi 0G00062 2 TB Spare Internal Hard Drive for G-Tech G-SAFE Hard Drive Array – 7200 RPM – 300 MBps – SATA/300 $115.97 The Hitachi 0G00062 2 TB Spare Internal Hard Drive is compatible with G Tech G SAFE Hard Drive Array. Its featured with 7200 RPM spindle speed, and 300 Mbps Data Transfer Rate. |
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Tech Force 3-9×40 Rifle Scope, Duplex Reticle + Illuminated Dot, 1/4 MOA, 1" Tube $89.94 Rifle scope 3-9x magnification 40mm objective lens 1" tube 1/4 MOA (1/4" click value @ 100 yds) Duplex reticle with illuminated red/blue dot 4" eye relief 1.10 lbs. 12.34" long Hunting in low-light conditions can be difficult unless your scope has an illuminated reticle, like the Tech Force 3-9×40 scope. It’s properly braced for airguns, including magnum spring-piston guns with harsh 2-way recoil. |
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ID Tech VersaKey IDKA-233112B PS/2 Keyboard with Magnetic Stripe Reader – Black $50.49 The VersaKey features an enhanced MS Windows layout keyboard with a full featured MagStripe card reader. The keyboard layout provides separate function keys, control keys, cursor keys, and a full numerical input keypad. VersaKey is designed to provide the reliability needed for use in repetitive and high volume environments such as retail, health care offices and security. USB or Keyboard wedge PS 2 available. |
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ID Tech WCR3237-612C Head Duty Slot Reader – Keyboard Wedge – External $111.49 The Omni Heavy Duty Slot Reader scans bar codes printed on paper card stock or plastic. An infrared option is available for security based applications where bar codes are overprinted to prevent duplication. The Omni reads up to three tracks of information with a single swipe in either direction. In combination the same Omni unit can read both bar code and magnetic stripe media. TTL RS 232 keyboard wedge USB Keyboard and Weigand interfaces are available. The Omni Reader is designed for demanding applications such as for access control or in self service kiosks. Its die cast metal base stainless steel wearplate and impact resistant housing make it ideal for stand alone high volume traffic. Its metal base can be securely mounted with screws and cable exits are available at the side end or bottom of the unit. |
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Multi-Tech MultiVoIP MVP130-AV 1-Port Analog Adapter FXS Only $149.49 The MultiVOIP AV survivable H.323 gateway for Avaya Communication Manager environments is ideal for small branch offices 1 20 phones employees of large corporations that have deployed a pure distributed IP telephony solution. It functions as the alternate gatekeeper for IP phones used at the remote offices and renders local office survivability, in the case of a LAN or WAN failure, by providing local, reliable PSTN trunking. The MultiVOIP AV gateway also provides local PSTN access for emergency calls, such as 911, as well as normal inbound outbound local calling. In addition, the gateway functions as an ATA IP adapter, adapting analog phones and fax machines to IP environments. |
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Tech Force 3-12x44AO Rifle Scope, Duplex Reticle + Illuminated Dot, 1/4 MOA, 1" Tube $95.94 Rifle scope 3-12x magnification 44mm objective lens (adjustable objective) 1" tube 1/4 MOA (1/4" click value @ 100 yds) Duplex reticle with illuminated red dot 4" eye relief 1.05 lbs. 12.59" long Do you hunt? If so, this illuminated rifle scope will make it easier to see your point of aim when stalking prey that’s dark or when shooting at dusk, dawn or other times with dim lighting. Tech Force’s 3-12x44AO scope is braced for the harsh 2-way recoil of spring guns. The adjustable objective makes it easy to hunt at closer distances. |
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Sportsstuff 30-1602 Heatseeker Snow Tube $47.99 “Sportsstuff Heatseeker Snow Tube Brand New Includes 90 Days Warranty, The Sportstuff 30-1602 hi-tech uniquely shaped tube features a heavy-duty PVC construction & comfortable mesh seating to keep you sledding all day long. The over sized Speed Safety Valve makes inflation fast and easy and the wide molded PVC handles will provide the grip needed to take your sledding adventure to a whole new level. The innovative Swiftex directional bottom on Heatseeker will guide you and your tube straight down a path to good times this winter. 30-1602 Features: Product # 30-1602, Heatseeker Snow Tube, Up To 1 Rider, For Summer Use, Heat Sealed Seams, Unique Aerodynamic Construction, Swiftex&trade Directional Bottom, Heavy-Gauge PVC w/ Cold-Crack Additive, Speed Safety Valve for Fast Inflation & Deflation, Heavy-Duty Molded PVC Handles, Comfort Mesh Seating, Reinforced Grommets, Tote Strap for Easy Transport” |
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Sportsstuff 30-2312 Speedseeker Snow Tube $66.99 “Sportsstuff Speedseeker Snow Tube Brand New Includes 90 Days Warranty, The Sportstuff 30-2312 is a serious multipurpose tube for 1-2 riders featuring SwiftexT directional bottom to speed things up. The Speed Safety Valve makes inflation and deflation fast and easy while the double-webbing foam handles with knuckle guards make holding on simple and comfortable. This hi-tech tube features heavy-duty PVC construction & an ergonomic backrest with comfortable mesh seating to keep you and a friend sledding all day long. 30-2312 Features: Product # 30-2312, Speedseeker Snow Tube, Up To 2 Rider, For Summer or Winter Use, Slick Heavy-Gauge PVC w/ Cold-Crack Additive, Patented Speed Safety Valve for Fast Inflation & Deflation, Heat Sealed Seams, Molded PVC Handles, SwiftexT Directional Bottom, Heavy-Duty Double Stitched Partial Nylon Cover, Comfort Mesh Seating, Reinforced Grommets, Tote Rope for Easy Transport” |
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Full Throttle Speed Ray 4 Tube $329.99 FULL THROTTLE SPEED RAY 4Hold on tight for a spirited, wild ride with this hi-tech performance towable tube. Lounge on the large, soft neoprene panel when not being towed behind the boat. Angled wings allow you to ride on the edge for tight turns and perfect control over the wake Ergonomic handles a |
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SportsStuff Speedseeker 2 Person Snow Tube $62.1 SPORTSSTUFF SPEEDSEEKER SNOW TUBESpeedseekerThe SwiftexT directional bottom on Sportsstuff’s Speedseeker will guide you and a friend straight down your favorite slope this winter. This hi-tech tube features heavy-duty PVC construction & an ergonomic backrest with comfortable mesh seating to keep you |
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27W Tube Bulb for Sunlight Lamps(Pack of 1) $28.99 Bring the sunlight back to your Sunlight lamp with this 27W Tube Bulb! Save$$$$ on your electric bills! The high-tech 27-w’bulb, with a C.R.I.(Color Rendering Index) of 80-85, gives as much light as an ordinary 150-w’ bulb, but uses far less energy. Th |
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ID Tech MiniMag IDMB-336133B Swipe Reader – USB – AAMVA, CA DVM – Black $38.49 The MiniMag II is an intelligent, programmable MagStripe reader providing a wide range of functionality and value in a convenient package size. The entire unit is just 90 mm long, about the length of a credit card. It reads up to three tracks of information. |
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First Mobile Tech FM-CP-ATG-E Locking CradlePlus for Dell E6400 and E6400ATG Laptops – Black $36.97 The FM CP ATG E Locking CradlePlus for Dell E6400 and E6400ATG from First Mobile Technologies can stand alone as a cradle and is compatible with Dell E6400 and E6400ATG Laptops. It provides screen support arm included with the E series First CradlePlus. Moreover, this docking station offers Key Lock system for security and theft protection and also, the laptop LCD closes completely while docked. Additionally, the FM CP ATG E features non glare surface finish for maximum in vehicle usability, scratch resistant clamps for touch points with computer and is made with heavy gauge metal for vibration resistance and safety. |
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Multi-Tech MultiModemZPX MT5634ZPX-V92 V92 Data/Fax Modem – 56 Kbps – ISA, RJ-11 $52.49 The MultiModemZPX data fax modem is ideal for telecommuters and SOHO users. It includes a built in processor to enhance performance and data throughput. The MultiModemZPX PCI is approved for use in many countries around the world. This means one model can ship virtually anywhere. |
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Multi-Tech MultiModemZDX MT5656ZDX V.92 Data/Fax/Voice Modem – 56.0 Kbps – Wired – Serial RS-232 $39.49 The affordable MultiModemZDX desktop modem from MultiTech Systems is designed to deliver high speed data transfers and faxing abilities that are tailored for mainstream PC computers. The modem’s quick connect feature can halve the time required for a dial up modem to handshake to an ISP or other connection, and its V.44 compression improves data throughput rates. Other features include V.92 56K download speeds and 48K upload speeds when connecting with V.92 servers, Class 1 and Class 2 faxing at 14.4K, modem on hold which allows the modem to work with call waiting services provided by your phone company , U.S. Caller ID reporting, phone number storage, industry standard error correction, and multi language data fax software for Windows. All this, with a small footprint and a stackable design in case you want to use multiple modems in tandem. The modem is covered by a 10 year warranty. |
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Multi-Tech MT9234MU MultiMobile Portable USB Modem – 56 Kbps Data Downstream V.92, 33.6 Kbps Fax Maximum $78.97 The MultiMobile portable USB modem provides V.92 56K data rates, V.34 33.6K fax capabilities and a hot swappable USB interface. This modem, weighing in at 2 ounces, is ideal for mobile users who want e mail and Internet access on the road. The MultiMobile portable USB modem can also serve as the mobile user’s desktop modem back in the office. |
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Multi-Tech MultiModem MT9234ZPCX-PCIE Fax/Modem – PCI Express x1 – Plug-in Card – 56 Kbps – V.92 $82.49 The MultiModem ZPX internal modem is ideal for telecommuters and SOHO users. It includes a built in processor to enhance performance and data throughput. |
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Multi-Tech MultiModem ZPX MT9234ZPXPCIENV V.92 Data/Fax World Modem – PCIE – 56 Kbps $26.97 The MultiModem ZPX V.92 internal modem is the ideal choice for small to medium sized businesses that are looking for a remote device management solution. Whether your application need is out of band management, troubleshooting or sending updates to a remote management server, the MultiModem ZPX internal modem provides higher speeds and reduces transfer times. It includes a built in processor to enhance performance and data throughput. |
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Multi Tech MultiModem MTCBA-C1-U-N2 153.6 Kbps External Wireless Cellular Modem – USB $62.49 The MultiModem Cell cellular modems are ready to deploy, standalone modems that provide wireless data communication and integrate seamlessly with virtually any application. The MultiModem Cell cellular modems are based on industry standard open interfaces and can be desktop or panel mounted. |
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Multi-Tech Systems MultiVOIP MVP210 2-Port FXS/Fxo Sip VoIP Gateway $423.97 The MultiVOIP 210 FX SIP gateway provides toll free voice and fax communications over the Internet or Intranet. By integrating voice and fax into your existing data network, you can realize substantial savings on inter office long distance toll charges. The MultiVOIP 210 FX gateway is available in 2 port model. It connects directly to phones, fax machines, key systems, PSTN lines, or a PBX to provide real time, toll quality voice connections to any office on your VOIP network. The MultiVOIP 210 FX gateway is designed to maximize the investments you’ve already made in your data and voice network infrastructure. |
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Tech Force 4×32 Heavy-Duty Hunting Rifle Scope, Mil-Dot Reticle, 1/4 MOA, 1" Tube $47.99 Rifle scope 4x magnification 32mm objective lens 1" tube 1/4 MOA (1/4" click value @ 100 yds) Mil-dot reticle 100 yds parallax setting 3.3" eye relief 21.3mm to 7.1mm exit pupil 10.4 oz. 12" long Includes lens covers Other features: Nitrogen-filled Suitable for airguns, including spring-piston guns Fogproof Waterproof Hunting requires a rugged scope, and this one fills the bill. Suitable for all airguns, including springers, this Tech Force 4×32 scope will help you eke out the most accuracy from your hunting rifles. In fact, you can use it on firearms, too. |
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ID TECH Omni 3227 Heavy Duty Slot Reader – Bar Code – Magnetic Card Reader – Serial RS-232 – External – Black WCR3227-600S $71.49 The Omni reads up to three tracks of information with a single swipe in either direction. In combination, the same Omni unit can read bar code media. The Omni can be programmed to divide, rearrange, edit, and validate fields of scanned data. In addition, it allows for up to 16 preamble or postamble characters. The Omni scans bar codes printed on paper, card stock, or plastic. An infrared option is available for security based applications, where bar codes are overprinted to prevent duplication. The Omni reader is designed for demanding applications, such as for access control or in self service kiosks. Its die cast metal base, stainless steel wearplate, and impact resistant housing make it ideal for stand alone, high volume traffic. Its metal base can be securely mounted with screws, and cable exits are available at the side, end, or bottom of the unit. |
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Multi-Tech Systems MultiModemZBA MT5634ZBA-V92 Data/Fax Modem – Serial – 2 x RJ-11 Modem, 1 x DB-25 – 56 Kbps – White $130.49 The MultiModemZBA corporate user modems provide high speed data transfer and fax capabilities for small businesses, telecommuters, and SOHO users. All serial models feature callback security and operate over dial up or two wire leased lines. The MultiModemZBA family provides powerful features that make it perfect for business use. All models support Caller ID reporting and remote configuration. Serial port models also feature callback security, DTR dialing, and 11 bit operation. The voice model supports full duplex speakerphone operation so you and a caller can talk and listen at the same time without cutting each other off. The bundled software for these modems has an easy to use graphical interface for use under Windows. Also included are a number of free value added applications, such as a web browser, Internet telephony, and on line services. |
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Multi-Tech MultiModem ZPX MT9234ZPX-PCIE V.92 56 Kbps PCI (Peripheral Component Interconnect) Express x1 Data Fax Modem $71.49 The MultiModem ZPX MT9234ZPX PCIE internal modem is ideal for telecommuters and SOHO users. It includes a built in processor to enhance performance and data throughput. It is approved for use in many countries around the world. This means one model can ship virtually anywhere. |
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Medi-Tech Gauze Tube, 1 x 50 yd, Each $19.34 Features of the Surgitube Tubular Gauze: For fingers and toes. |
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Edge Memory PEIBM41U2976-PE 512 MB DDR2 SDRAM Module – PC2-6400 – CL5 – DIMM 240-Pin $21.97 EDGE Tech memory products provide maximum power, speed, quality and reliability. Products are double tested to provide a high quality and reliable memory upgrade. |
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Multi-Tech Systems CC1600-11L 19-inch Rack-mountable Card Cage – 16 x Modem Phone Line, RJ-11 16 x Serial, RS-232C, Analog 25-pin D-Sub (DB-25) $281.97 The scalable CC1600 Series 19 inch rackmountable card cage consolidates up to 16 V.34 33.6K modem cards for dial up or 2 and 4 wire leased line service. This system is ideal for businesses that want to provide dial in remote access, dial in dial out datacomm or dial out faxing. |
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LG L1942S-BF 19-inch LCD monitor – 1280 x 1024 Resolution – 8000:1 Contrast Ratio – 5ms Response – VGA $165.49 The Flatron standard format series are the finest monitors that epitomize a wide variety of cutting edge technologies. High tech design, best picture quality and ergonomic functionality optimize the user environment. |
Tube Tech – The End (Vanguard Remix)
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Polder Original Cooking All-In-One Timer/Thermometer $19.95 1996 Good Housekeeping Good Buy Award / 32 to 392 Degrees Farenheit / 5 Minute Alarm / Memory / Simultaneous Timer… |
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Roma 6 Inch Traditional Style Pasta Machine $34.99 Make fresh, homemade pasta anytime. Includes double cutting attachment for making both fettuccini and spaghetti. Adjustable rollers adjust to 7 various thickness settings. Heavy duty stainless steel construction and metal housing for a lifetime of use. 6” wide rollers. C clamp to attach the pasta machine to a countertop. Easy to follow instructions and recipe booklet included…. |
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Maytag Neptune Washer Boot Drain 12002533 $40.40 Maytag boot for washer… |
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Belle Isle Tech 2 $8.99 … |
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Wake Up $2.39 … |
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Raw $9.99 … |
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Wagner 915 1,500-Watt On-Demand Power Steamer and Cleaner $88.22 The 120-volt Wagner 915 power steamer can be used in every room in your home. It uses a pressurized steam system to complete repair or renovation jobs like removing wallpaper and also cleans and sanitizes your home from top to bottom. Use it to clean grills, greasy stovetops, bathroom tile, and more. The power steamer works without chemicals, so it’s safe and non-toxic and won’t leave behind any m… |
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27W Replacement Bulb for Sunlight Lamp $6.00 Bring the sunlight back to your Sunlight lamp with this 27W Tube Bulb! Save$$$$ on your electric bills! The high-tech 27-wattbulb, with a C.R.I.(Color Rendering Index) of 80-85, gives as muchlight as an ordinary 150-watt bulb, but uses far less energy. The bulb can last up to 5000 hours, 5x longer than other bulbs- for years ofnormal use. What is the KELVIN Temperature? The Kelvin temperature is … |
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9ft Red Neon Glowing Strobing Electroluminescent Wire (El Wire) $2.70 Characteristics of EL Wire 1. Flexible |
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Classical Stretch – The Esmonde Technique: Full Body Workout Volume 1 / Athletes Intense Stretch $21.98 … |
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